By James Lull

This hugely unique, thought-provoking e-book – written by means of a pioneer of conversation reviews – is the 1st to investigate the submit 9-11 international when it comes to worldwide media and pop culture.

  • Written in an enticing and candid demeanour by means of a number one specialist during this box
  • Argues that cross-cultural realizing can simply be accomplished by way of harnessing the facility of world media, pop culture, info expertise, and private communications applied sciences
  • Examines the worldwide development of utilizing movie, video, tune, and television “on-demand” because the framework by which we event all cultural job
  • Draws idea from the paintings of a number of theorists, from Charles Darwin to Anthony Giddens
  • Candidly interrogates the very most modern advancements in global affairs, specifically the jobs of fundamentalist non secular ideology, media globalization, and individualism, whose advanced relationships have not begun to be defined by means of social scientists

Content:
Chapter 1 All Eyes at the worldwide level (pages 1–23):
Chapter 2 Human Expression (pages 24–51):
Chapter three Programming Our own Supercultures (pages 52–79):
Chapter four the rush and Pull of tradition (pages 80–103):
Chapter five Globalized Islam (pages 104–132):
Chapter 6 Cultural Transparency (pages 133–150):
Chapter 7 The Open areas of world verbal exchange (pages 151–170):
Chapter eight Fundamentalism and Cosmopolitanism (pages 171–194):
Chapter nine speaking the longer term (pages 195–206):

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Extra resources for Culture-on-Demand: Communication in a Crisis World

Example text

The same developments that inspire hope have also helped fuel the tensions and armed confl icts that characterize world history. Communications media and the symbolic forms they produce and circulate have contributed greatly to impassioned ideological competition and confl ict over many centuries. Very early evidence of what has led to today’s global cultural discord was born of the perilous mix of religious difference and 8 James Lull media development in the form of book publishing. As former long-time CBS Middle East Bureau Chief Ed Hotaling points out, “the modern Arab envy of the West’s good fortune, which still runs deep, was perhaps prefigured at the beginning of Islam, when the prophet lacked a book and saw how well the Christians and Jews were doing with theirs” (Hotaling 2003: 123).

Instrumentally based, practical satisfactions resulting from the expressive production of everyday life reflect the rewards of what Willis (2000) calls the use value of material and symbolic forms.

The document speaks of the right for “everyone” to seek, receive, create, and express ideas through channels ranging from basic movements and utterances of the human body in local contexts to sophisticated manipulations of high technology in global communications. This promise to every single global citizen does not conform to the political demands and cultural traditions of all nations, however. Theocratic and communist state authorities typically regard the concept of individual human rights as a corrupting cultural idea imposed by the West.

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