By Glenn Honiball
For either Mac and home windows laptop clients, Photoshop CS2 is the marketplace chief and ordinary for advertisement bitmap photo manipulation. often referred to as the "digital darkish room," Photoshop is the remarkable device of selection between photographs pros and past-time photographers alike. Written via 20-year photograph retouching veteran Glenn Honiball, advertisement Photoshop Retouching: within the Studio is the one ebook to bring suggestion for the photographer and artist operating with Photoshop CS 2 in a true international advertisement surroundings. Honiball bargains incomparable technical and creative advice for execs, picture artists, photographers, and as regards to a person fascinated by developing and manipulating electronic photographs. construction artists face unrealistically tight time cut-off dates and heavy workloads that go away little time for trial and blunder. picture retouchers desire functional, speedy Photoshop suggestions to assist them produce caliber photos with minimum attempt and in a quick period of time. the entire instruments, suggestions, and abilities you want to in attaining constant, specialist effects with Photoshop CS2 are available in advertisement Photoshop Retouching: within the Studio. a person with intermediate-to-advanced Photoshop skills--whether you need to discover photograph retouching individually or as an imaging specialist or student--can use advertisement Photoshop Retouching: within the Studio to supply sharp, professional, outstanding pictures that do not glance retouched. less than Honibell's pro path, it is easy to take on your maximum photo-retouching demanding situations very easily, precision and potency. He courses you thru Photoshop CS2's new and leading edge positive factors; explains complicated functions; exhibits you ways to evolve and custom-fit the software program to satisfy your wishes; bargains time-saving advice for accelerating your workflow; and supplies recommendation and concept for exercise your personal inventive genius. advertisement Photoshop Retouching: within the Studio is the fitting source for any electronic artist who desires to boost and ideal professional-level retouching utilizing Photoshop CS 2. With this ebook, you are going to convey picture correction and manipulation to an entire new point.
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Additional info for Commercial Photoshop retouching: in the studio
Pinpointing points on the magenta curve adjustment line by clicking on the desired image area with the Eyedropper tool to take a reading of the color in that area Figure 3-16. Curve adjustment line with point selected on it 52 Now you can click on the curve adjustment line where the pinpoints showed up and create curve adjustment markers. These curve adjustment markers are the points you move on the curve to make adjustments. First, have a look at your image and decide which areas need help. Start by selecting one of the color channels in the Curve adjustment tool.
You could mask the area and use the Lasso tool and soften the selection, as in Figure 3-7. Or, you could use the Pen tool to create a shape and make a selection from that, or you could paint in a mask in the mask mode with a soft brush. Again, what if you don’t like the position of the mask? Or the shape of the mask? Or maybe it’s too hard or too soft? You’ll have to spend time correcting the mask or selection when you could be doing the correction. So let’s use the History brush to add the blush to our original figure.
This applies to shadows as well. If you place a shadow underneath an object, some of this shadow should be reflected back onto the object, thus anchoring the object to the shadow and the surface on which it sits. Without this anchoring effect, objects will appear as if they are hovering (an effect you wouldn’t want unless you were trying to make an object appear as though it were floating), as in Figure 2-41. To create this anchoring shadow, add a subtle amount of shadow to the object itself on a multiplied layer, particularly where the object gets closer to the ground or to another object.
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