By Gregor Damschen, Mario Waida

This new and critical advent to Seneca presents a scientific and concise presentation of this author's philosophical works and his tragedies. It presents instruction manual type surveys of every actual or attributed paintings, giving dates and short descriptions, and bearing in mind crucial philosophical and philological concerns. furthermore, they supply money owed of the key steps within the heritage in their later impact. The cultural historical past of the texts and an important areas of difficulty in the philosophic and tragic corpus of Seneca are handled in separate essays.

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It may well be a slave, or at least a freedman, to whom Paulina refers when she demands the hand of the “striker” (percussor: ann. 89 The scene illustrates the omnipresence of slaves in elite Roman life—even at the most intimate and emotionally charged moments—but also reminds us of how easily slaves can be overlooked by modern scholarly commentary. 90 But the invocation is prompted by his accidental splashing of nearby slaves with the water from his bath. 91 Elite anxiety about slavery finds ample expression in Seneca’s writings, especially in two of his most famous letters.

8 Griffin 1976: 48, n. 2. The so-called “Gallio inscription” (see Plassart 1967, Oliver 1971, and Hemer 1980), found at Delphi, provides the lynchpin for dating the New Testament (cf. 12–17), and was written in the first half of ad52, and it shows that he was at that time proconsul of Achaia and was using the name Gallio. Since the proconsulship would have begun in ad 51, it is likely that the adoption occurred before this. w. 9 This was the period during which the work’s addressee, Pompeius Paulinus, Seneca’s father-in-law (see ann.

As Tacitus puts it, “partly by conversation and partly in the more intense role of a reprimander (coercentis), he recalled those present from their tears to fortitude, asking repeatedly where were the precepts of their wisdom (praecepta sapientiae)? ” (Tac. ann. 1 says that Seneca wanted Paulina to die with him; Tac. ann. 1f. instead has Seneca acquiesce in Paulina’s own wish to join him. 2 says that Seneca revised one book and deposited others with friends out of fear that Nero would destroy them, while Tac.

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