By Maurice Hamilton

Superb artwork caliber, black-and-white prints are inside each photographer's achieve with the suggestions illustrated during this electronic photo enhancing consultant. benefiting from the keep watch over and reproducibility that the electronic darkroom bargains, this guide teaches photographers easy methods to fine-tune pictures with distinction and publicity degrees, crop and rotate photographs for dynamic effects, and take away flaws corresponding to airborne dirt and dust and scratches lengthy after the picture has been taken. guideline on options that simulate conventional hand coloring and tinting and upload lighting tricks akin to frames, infrared, and lights and lens results is helping photographers notice their creative imaginative and prescient. monitor photographs and pictures advisor readers throughout the awarded concepts, permitting photographers to gauge their very own effects and count on the results of the defined corrections and improvements all alone pictures. A gallery of the author's paintings offers notion for simulating—and enhancing upon—the chemical-based darkroom event.

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Using this approach, the initial step is to define the RGB pixel values for the white and black points. Double-click on the white or black point eyedropper to reveal the Color Picker, then select the desired values for that point. For example, as depicted in figures 3-8a and 3-8b, one might choose a white point with values of 0/0/96 in the HSB (hue, saturation, brightness) model (corresponding to approximately RGB 245/245/245) and a black point of 0/0/4 in HSB (approximately RGB 10/10/10). Specifying equal values for each of the RGB components, 0 for hue and saturation in HSB mode, or 0 for the a and b channels in Lab mode, sets these tones to neutral values.

Levels or Curves Adjustment Layer with Masking. After selecting the problem area with any of the selection techniques described, create a new Levels or Curves adjustment layer by clicking on the half-black/halfwhite icon at the bottom of the Layers palette and choosing Levels or Curves from the menu. The active selection will form the basis for the mask associated with the new adjustment layer, as shown for an inverse luminosity mask in figure 3-23b. Since the mask limits changes to the area previously selected, modifying contrast or tonality will only affect the selected area.

The resultant pixels values will be inbining the red and green channels The red and green channels of the image creased by 20 to lighten the image, and a in Add blending mode with Scale have been added using the settings shown new document will be created. factor 2 and Offset 20 yielded the in figure 4-10. color wheel shown in figure 4-11 and the prayer flag image shown in figure 4-12. Channel Mixer. An easier way to convert color channel information into a black-and-white image is to use the Channel Mixer, which combines grayscale data from each of the color channels to create a new output channel.

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