By Barie Fez-Barringten

The authors writings are in accordance with his lecture sequence offered in 1968 at Yale collage known as structure: The Making of Metaphors which was once then released partially in major Currents in sleek notion, then in lots of different journals together with study into the works of Paul Weiss, Andrew Ortony, David Zarefsky and W. J. J. Gordon.

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Extra info for Architecture: The Making of Metaphors

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If he loses he still may know the string but not what links them. To echo what I said earlier, an inhabitant is still able to function in the world but not in the instance of the game. Armed now with the underlying assumptions about metaphor we shall now further see how it works.  CHAPTER THREE METAPHORIC COMPLEMENTARITIES: TECHNICAL AND CONCEPTUAL METAPHOR AND IMPLICIT AND EXPLICIT PROCESS Summary In the previous chapter I described the design process and its differences as well as the importance of understanding the variations of perception of metaphor.

Recognizing differences in audience beliefs does not entail accepting the idea that any belief is as good as any other. The consequence of this could be blasé, inane, or “plain vanilla” outcomes where apathetic design produces banal results. However, design takes place under conditions of uncertainty and need. We do not design something that is already designed although even the notion of design is audience-dependent. Whether the architect goes through rigorous programming or simple intuition, the design is made as a metaphor meant to be shared, used and unfolded.

56] Vincent Scully; early lectures at Yale) In New York City, the grid and this insistence on buildings reflecting the geometry of the grid is a [12] conduit metaphor of city-wide proportions. In New York the streets are defined by the 90 degree corners, planes and tightness of the cubes and rectangles to the city plan. In this way the metaphor of the overall and each building design no matter where its location on the block, no matter when or in what sequence the metaphoric constraint of appropriateness or zoning formulas, all lead the ideas to flow from one to another architect.

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