By Ronald K. Fierstein

This riveting biography from the yankee Bar organization, visits the unbelievable lifetime of Edwin Land, leap forward inventor. on the time of his dying, he stood 3rd at the checklist of our so much prolific inventors, in the back of purely Thomas Edison and one in every of Edison's colleagues. Land's most renowned fulfillment in fact, used to be the construction of a innovative movie and digital camera approach which may produce a photographic print moments after the image was once taken. The ebook takes you behind the curtain of his discoveries, his triumphs, and likewise the defeats of this reclusive genius.

You'll study information of Land's involvement over 4 many years with top-secret U.S. army intelligence efforts in the course of international warfare II and during the chilly battle within the provider of 7 American presidents. also, you'll thrill to the compelling first-hand examine one among our nation's most vital criminal battles over highbrow property—Polaroid as opposed to Kodak. This company and criminal fight is a narrative of virtually operatic measurement. What begun as a cooperative and collegial courting resulted in Kodak's betrayal. The clash resulted in an epic felony conflict, a dramatic occasion for Land who, from the witness stand, for my part starred in a compelling court docket drama.

More than an easy biography, this attention-grabbing publication is a biographical felony mystery that's not to be neglected!

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Additional resources for A Triumph of Genius: Edwin Land, Polaroid, and the Kodak Patent War

Example text

Debate continues as to how much of the strength of these photographers’ work lies in sheer size, but it certainly does command attention in a gallery or show. I’m not, incidentally, implying that either of these artists’ images are in any way a cliché, but rather that unexpected presentation compels viewers to look at photographs more carefully. Another possibility might be in the form of an animated slideshow or movie; dissolves and tracking shots applied to still images can certainly enliven them, while well-chosen music adds another dimension to the viewing experience.

Rather than great buildings and grand boulevards, he preferred quiet corners, shop windows, and nostalgia, and his images—shot with a large-format camera—invite deep examination. ” Three Surrealist obsessions were automatism (creative works produced innocently), appropriation, and the found object (objet trouvé) that was given new meaning simply by being chosen. Straight photography of the everyday, like Atget’s, had all of this. One of the most influential art critics of the time was Walter Benjamin.

Well, it has certainly been tried. One instance was Ernst Haas’ book The Creation. This was an attempt to evoke the Biblical meaning of the Creation (though not from a religious standpoint) through unmanipulated photographs. I say unmanipulated because this, in the late 1960s, was before the days of easy digital fantasy, and in any case, Haas was a “straight” photographer; the most he allowed himself was the occasional double exposure. The project began with an industrial assignment that required Haas to find ways of photographing elemental power.

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